CRIME HOUSE &
DARKROOMS
productions
MAIL
FOR CUSTOM ORDER AND SUPPORT
FIRST REALLY CINEMATIC HIGHT QUALITY EXPLOITATION HORRORS AND
B-MOVIES PRODUCTION
We accept ANY means
of international payment
HORNET MOVIES

HALLOWEEN: PSYCHO
A girls has her birthday in October 31! She doesn’t celebrate Halloween because this famous holyday steals attention from her personal date – her Birth!
She invites her three best friends but one of them comes with her boyfriend. The boyfriend tries to explain that Halloween Is much important that Birthday because Jack’s Soul can’t not be respected in this Dark Night. But girls don’t pay any attention to his words. Shame on them because Jack’s sole gets hooked on a guy and he starts a bloody slaughter to bring Jack gifts on Halloween…

20
20
20

TIME FOR PORTFOLIO (FULL)
Photographer invites the model for the photo session for her portfolio but he is a maniac who likes to shoot to belly with a gun. Very professional FX effects of bullets appear at the screen, great camera and super angles of the show. 30+minutes, amazing quality!

33,00 $
33,00 $
33,00 $

SHERIFF MISTER JHONSON
A city lady comes to rural Texas, where she inherited an old ranch. She was supposed to meet her realtor, Mr. Johnson, and started knocking on the door. But a local crazy man, a shell-shocked hired gun, now a homeless person with a speech impediment, moved into the area. Seeing the young lady, he introduced himself as Mr. Johnson. The lady realized that something was wrong and doubted whether this was the right house. But it was too late. The madman attacked her and strangled her. He hid her body in the house when a young deputy of the county sheriff drove by. Seeing this homeless person, she decided to check if everything was okay, but the redneck attacked her, snatched her gun and laid her out with a headshot. In a rage, he also shot a young woman walking nearby. He dragged the bodies into the house to have tea with them - a real psycho!
A parody film of the slashers of the late 1990s and early 2000s, exploiting the themes of provincial American horror.

15
15
15

CAN YOU KEEP A SECRET?
Mira has a secret lover, she found him on a chat site; she has been texting him ever since. He is her first boyfriend; she has decided he will become a lover.
She has arranged to meet him at her best friend’s apartment, she has the key to look after the place… while her friend is out of town visiting family; its going to be a ‘blast’!
Mira doesn’t know it yet but, she is in danger; Her father has left town because he owes money to the wrong people… people you don’t mess with. They can’t find her father but, they know where his precious little girl is… and they are going to send him a message. They have assigned a contract to Alex and he has set up his profile to get her interested in meeting. She has taken the bait, now he can enjoy his work…
It’s the crime style story about killer arrives to the safe house of the girl and her friend…
18
18
18

JUDI BLOODY MURDER
A policewoman is in her department office when a killer walks in quickly. Brazenly, without a mask, with a gun. She was caught off guard, and she, through carelessness, does not have a gun nearby, feeling completely safe in the office. How did he get past security?
He points a gun at her and demands to tell her the address of a witness. She does not want to talk and expose her informant to a fatal blow and expose her officer's honor. After all, she joined the police because she was a good, honest, noble and brave girl, a defender of the weak from evil.
The captor demands to give the address of the witness, she says "I will not say anything." Then the killer hits her in the neck with a syringe and gives her an injection of a monstrous poison.
Judy suffers from the poison, foam comes out of her mouth. She is paralyzed and experiences inhuman, terrible suffering and agony. Foam gushes in all directions. The killer kisses and touches her leisurely and adds to her suffering with another injection. Judy falls to the floor and continues to shake and then dies... Or rather, everything dies except the brain, this is clinical death. She lies paralyzed, dead, understands and realizes everything. After a while, the killer hits her in the chest with a syringe of antidote and revives her. He showed her what death is, and leaves her a chance to tell the information.
Broken Judy understands that she is not ready to experience this again and is not ready to part with life. Now she is a submissive coward. She sits down at the table, wipes the foam from her mouth with a napkin and tells the information, giving out the address of the witness. Then she shamefully thanks the killer for leaving her alive and sparing her.
But the killer sarcastically asks: "Who told you that I spared you?" and shoots her several times in the chest. Judy is taken aback. The burning pain of the bullets and the blood spreading inside her is nothing like the torment of poison. She can't believe that she was killed, because she just experienced the joy of returning to life. But the killer again gives her false hope: "I'll let you live if you can get out of the room." Mortally wounded, she again thinks that this is a small chance. She slowly gets up and awkwardly, on the last of her adrenaline, tries to walk to the door, but the killer shoots her in the back, then several more times in the chest, turning her into a sieve. Judy falls to the floor. I wonder if the woman now understands that this is the end, or is her brain still trying to find loopholes for hope? She dies on the floor in pools of blood, obscene, with her bare chest from a torn shirt, several times, like a snake, breaking out with a bridge. She lies absolutely dead with her eyes wide open. After a while, her body cooled down, turned blue.
The killer's assistant arrives to cover his tracks and prepares the corpse for disposal, first stripping it naked. A blue dead body in thick, frozen blood is all that remains of the recently young policewoman.

20
20
20

HELL ON THE EARTH
Strange bizarre store about a house of a middle aged women with her family was attacked by terrible sadistic women. Some of killers are her ex-colleagues who came to her place for stealing documents about her share in her ex-business. The serial of cruel murders started. Killers are dressed like horror Asian dolls.
IF YOU LIKE THIS FILM PLEASE CHECK OUT

24
24
24

BETRAY V
Ksysha Zaichik listened how her partners were planning to kill her. Bossy Unholy Polly caught her and together with Svobodhyh started strangling her. But Ksysha was in agreement with Svobodnyh to have a deal and betray Unholy Polly and kill her. It s interesting switch from bossy dangerous woman to helpless victim.

15
15
15

FOOT COLLECTOR
Ksysha has finished her jobs for the day and is ready to go home, where she’s suddenly attacked. The scene from Michael Clayton ensues. Ksysha can only move her eyes once she’s been paralysed. We see a close up of Ksysha’s boot being removed and see her socked foot flop onto the floor. The smell hits model 3 straight away but, she has a job to do. Sally slowly peels off her sweaty sock. By Sally’s expression, we see the smell has got even more intense. Once the serum has been injected into her toe. Her body starts convulsing and jolts violently. We can also hear her moan as the serum takes hold. She starts foaming from the mouth. At the end, the camera focuses on her foot. Her toes scrunch together. She then falls completely limp. The camera picks up a few slight toe twitches. MaryAnn checks her pulse and then they start to clean up. Maryann starts wiping away the foam from ksysha’s mouth. Sally gets half way through putting her sock back on, when she decides that she’s gonna live out her darkest fantasies. She stops what she’s doing, pulls out a silenced pistol. Maryann looks at the model ‘ No No!’. A bullet strikes her in head. She flops over straight away. We hear a slight moan as the last breath leaves her body. We see a close up of some slight finger twitches. The model then lays MaryAnn flat next to Ksysha and then moves down to their feet.
She removes ksysha’s other boot and both of MarryAnns. The model begins to smell them deeply. At one point she has one of Ksysha’s feet in one hand and, Maryanne’s in another and she compares the smell of each. The model then slowly peels off their socks and begins to smell and worship their bare feet.
When coroner Alice arrives Sally strangles her and makes examination with also playing with socks and feet.
Once it’s time to leave, she puts their socks and boots back on. She gives them a kiss on the forehead each and leaves them for the authorities to find.










