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HORNET MOVIES

ASSASSIN VS ASSASSIN
Angelina, rogue agent, bursts into safe-house: jeans, belt, black leather jacket, dark sleeveless tank, black high-heel boots, ponytail, natural face, no polish. Plastic drapes wall/floor—trap.
Xena leaps, silenced pistol to head, braid swinging, same jeans/tank/boots, light makeup. Chuckles low.
Knife flashes—abdomen thrice, twist on last, Angelina groans, shock-wide eyes. Xena grins, devours lips; Angelina yields, kisses fierce.
Downward chest stabs thrice, blade lingers. Pulls free, abdomen five slow thrusts—pause, savor—final twist deep. Blood pools.
Stagger; Xena slams wall, tongue invades, hands knead chest, mouth sucks peaks. Knife tip circles nipple—slow pierce, ecstasy-pain surge. Other side mirrors.
Spins her, uncuffs (bound unseen), tosses metal. Watches cling to breath. Four chest plunges, rhythmic.
Throat grip, blade aims low—drives core. Gasp, eyes roll; spasms fuck steel. Xena pumps, withdraws. Blood, piss cascade.
Kneels, face to belly; Xena cradles, manic laugh as shivers rack.
Knee-level kiss, feigned mercy—heart stab, double twist. Lowers into slick. Eyes dim, goodbye kiss. Throat base slow for agony.
Kiss rage to tender. Final heart, blade stays. Deep farewell, exits. Pan body to face.
Phone call. Angelina inhales, zombie-rise, yanks heart knife, stalks back-turned Xena.
Grab, back stabs thrice; phone clatters, Boss yells. Wall-pin, abdomen plunge, twists—Xena moans shock.
Smile, kiss; Xena helpless return. Rip free, clutch wound. Gun seized, aimed.
Xena: “Lucky quick end.”
Angelina: “Efficient. Exception.”
Throat shot—wheeze, choke. Chair on plastic, blood rivers, labored breaths.

22
22
22

GAS CHAMBER 2
Scene opens with a woman standing in an office, a court room. She is in an eastern European country, under arrest, charged with espionage!
She is not from this specific country, but from another east Europe country.
She is wearing a black mini dress and shiny black high heel thigh high boots. She is a fashion model. As she is under arrest, she is also wearing prisoner restraints.
At this point in her trial she has been found guilty. All that’s left now is sentencing.
From behind the camera a voice, the judge, reminds her she has been found guilty.
The woman knows she faces the death penalty.
She claims she is only a fashion model, but the judge doesn’t believe her.
The judge (voice from behind camera) officially sentence the fashion model to be put to death! He informs her that on her arrival at the women’s prison she will be taking to the gas chamber and executed.
Scene fades out to black.
Scene fades back in
Revealing the woman is sitting In a chair, similar to and electric chair. She is strapped down tight, her wrists, booted ankles, her waist and across her chest all firmly strapped to the chair, almost completely immobilizing her. She is extremely afraid, at the point of crying.
The room around her is small. Only enough room for the chair with a few feet around the chair. She is in a gas chamber!

16
16
16

SWIMMING POOL SCENES
Do you like shot-dead cocktails or machine gunned projects by Crime House?
If you do, this one will be great for you!
Two sexy female special agents are being shot or shoot each other in swimming pool! Their wet bodies share in death agony being machine gunned and their pretty bodiesfall to the water.
Many sexy scenes, some of them contain topless and full nude!

18
18
18

BAGGING ADAGIO
Thank you Ugine! The movie is wonderful, I am absolutely thrilled. The whole process of doing a custom with you has been a pleasure. Your casting choice was perfect. I had a desire to create a film with a strong noir-erotic atmosphere, and an artistic style. You achieved that brilliantly. Everything from wardrobe, to setting, to stylish noir camera angles was done with class. It is truly superb. I will look forward to doing more customs with you, and I will give your work my highest recommendation.
Review of customer
PLOT
Polly was a one of betrayals of dangerous Italian mafia syndicate. All other people who testified in court were killed by plastic bag (trademark of reprisals from the clutches of this group) but Polly managed to find a safe hiding place where no one would find her. Using an anonymous access to the network, she teases the mafia boss online, but does not know that no one can hide from the tentacles of this octopus, and the sent killer is already walking behind her with a plastic bag...


















