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HORNET MOVIES

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ANNUAL FEAST

The group of rich rich, sophisticated ladies, having already tried all the pleasures in life, trade in a gloomy scoundrel hobby - they catch victims and eat them, setting them up like a solemn feast in the style of "Amazons".

26,00 $

26,00 $

26,00 $

GIVE AND TAKE

A sensual story written by our premium client about a BDSM relationship between a couple in love. A real erotic thriller with an open ending.34 minutes, 1,4 GB

25,00 $

25,00 $

25,00 $

FOREST SCENES

Set of the scenes with 4 actresses and the actor shot in POV style and 3d person style about attacks in the forest. The film is shot in production’s old style genre «Shot Dead Cocktail» that means gaming comics stylization of the shooting – it’s no special FX effects and fake blood effects, just theatre scenes of fallings. Beautifull nature, locations. Classic clip from the first summer season of the production (2015).

15

15

15

NATA IS A KILLER

27 minutes LONG

Many Choking Scenes where NATA chokes ANNBELLE and POLA

Different choking situations, outlooks, nude content, garrote strangulations and other choking, strangling scenes!

20

20

20

HALLOWEEN: PSYCHO

A girls has her birthday in October 31! She doesn’t celebrate Halloween because this famous holyday steals attention from her personal date – her Birth!
She invites her three best friends but one of them comes with her boyfriend. The boyfriend tries to explain that Halloween Is much important that Birthday because Jack’s Soul can’t not be respected in this Dark Night. But girls don’t pay any attention to his words. Shame on them because Jack’s sole gets hooked on a guy and he starts a bloody slaughter to bring Jack gifts on Halloween…

20

20

20

TIME FOR PORTFOLIO (FULL)

Photographer invites the model for the photo session for her portfolio but he is a maniac who likes to shoot to belly with a gun. Very professional FX effects of bullets appear at the screen, great camera and super angles of the show. 30+minutes, amazing quality!

33,00 $

33,00 $

33,00 $

SHERIFF MISTER JHONSON

A city lady comes to rural Texas, where she inherited an old ranch. She was supposed to meet her realtor, Mr. Johnson, and started knocking on the door. But a local crazy man, a shell-shocked hired gun, now a homeless person with a speech impediment, moved into the area. Seeing the young lady, he introduced himself as Mr. Johnson. The lady realized that something was wrong and doubted whether this was the right house. But it was too late. The madman attacked her and strangled her. He hid her body in the house when a young deputy of the county sheriff drove by. Seeing this homeless person, she decided to check if everything was okay, but the redneck attacked her, snatched her gun and laid her out with a headshot. In a rage, he also shot a young woman walking nearby. He dragged the bodies into the house to have tea with them - a real psycho!

A parody film of the slashers of the late 1990s and early 2000s, exploiting the themes of provincial American horror.

15

15

15

CAN YOU KEEP A SECRET?

Mira has a secret lover, she found him on a chat site; she has been texting him ever since. He is her first boyfriend; she has decided he will become a lover.
She has arranged to meet him at her best friend’s apartment, she has the key to look after the place… while her friend is out of town visiting family; its going to be a ‘blast’!
Mira doesn’t know it yet but, she is in danger; Her father has left town because he owes money to the wrong people… people you don’t mess with. They can’t find her father but, they know where his precious little girl is… and they are going to send him a message. They have assigned a contract to Alex and he has set up his profile to get her interested in meeting. She has taken the bait, now he can enjoy his work…
It’s the crime style story about killer arrives to the safe house of the girl and her friend…

18

18

18

AGENT KSYSHA CHLOROFORMED

Many scenes about agents Ksysha and Janina are in peril situations being poisoned, cloroformed and slept by gas! Long brilliant 35 minutes movies about spy battles, peril situations and some topless elements!

22

22

22

JUDI BLOODY MURDER

A policewoman is in her department office when a killer walks in quickly. Brazenly, without a mask, with a gun. She was caught off guard, and she, through carelessness, does not have a gun nearby, feeling completely safe in the office. How did he get past security?
He points a gun at her and demands to tell her the address of a witness. She does not want to talk and expose her informant to a fatal blow and expose her officer's honor. After all, she joined the police because she was a good, honest, noble and brave girl, a defender of the weak from evil.
The captor demands to give the address of the witness, she says "I will not say anything." Then the killer hits her in the neck with a syringe and gives her an injection of a monstrous poison.
Judy suffers from the poison, foam comes out of her mouth. She is paralyzed and experiences inhuman, terrible suffering and agony. Foam gushes in all directions. The killer kisses and touches her leisurely and adds to her suffering with another injection. Judy falls to the floor and continues to shake and then dies... Or rather, everything dies except the brain, this is clinical death. She lies paralyzed, dead, understands and realizes everything. After a while, the killer hits her in the chest with a syringe of antidote and revives her. He showed her what death is, and leaves her a chance to tell the information.
Broken Judy understands that she is not ready to experience this again and is not ready to part with life. Now she is a submissive coward. She sits down at the table, wipes the foam from her mouth with a napkin and tells the information, giving out the address of the witness. Then she shamefully thanks the killer for leaving her alive and sparing her.
But the killer sarcastically asks: "Who told you that I spared you?" and shoots her several times in the chest. Judy is taken aback. The burning pain of the bullets and the blood spreading inside her is nothing like the torment of poison. She can't believe that she was killed, because she just experienced the joy of returning to life. But the killer again gives her false hope: "I'll let you live if you can get out of the room." Mortally wounded, she again thinks that this is a small chance. She slowly gets up and awkwardly, on the last of her adrenaline, tries to walk to the door, but the killer shoots her in the back, then several more times in the chest, turning her into a sieve. Judy falls to the floor. I wonder if the woman now understands that this is the end, or is her brain still trying to find loopholes for hope? She dies on the floor in pools of blood, obscene, with her bare chest from a torn shirt, several times, like a snake, breaking out with a bridge. She lies absolutely dead with her eyes wide open. After a while, her body cooled down, turned blue.
The killer's assistant arrives to cover his tracks and prepares the corpse for disposal, first stripping it naked. A blue dead body in thick, frozen blood is all that remains of the recently young policewoman.

20

20

20

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