37 munutes movie! Starring: Carrie Larsen, Maxim Serggev, Vika Brown, Annabelle, Alexander, Alex. The final installment in the trilogy that began with It's Showtime and The Family Dilemma — and one we sincerely hope will see a continuation. In this exquisite thriller, we are introduced to yet another charismatic villainess who adores black gloves, plastic bags, and luxurious furs.
In the vein of a dark corporate thriller laced with sadistic undertones à la Fincher (Mindhunter meets Gone Girl) and the brutal aesthetic of classic Italian giallo — where the villainess doesn’t merely win; she utterly annihilates everyone who stands in her way.
Corrupt chairwoman of a pharmaceutical empire Rachel Larkin, now running for mayor, discovers that a lawyer, his hacker twin brother, and their close friend, journalist Vika Brown, have gathered lethal compromising material on her schemes. Instead of fleeing, she strikes first — preemptively and without mercy.
It begins with the cold-blooded execution of the lawyer in her car: garrote, point-blank shots, and her personal parting words: “You’re fired.” Then comes the home invasion: masked enforcers, search, beatings, interrogations, strang*lations, plastic bags over heads, and a sad*stic game of “who d*es first.” One by one, those who resist perish — at her own gloved hands or under her direct command, with visible pleasure.
The last survivor, the journalist, miraculously escapes… only to walk straight into the final trap: a hospital, a “caring” nurse, fake cops, and ultimately Larkin herself. Tomorrow’s headlines will declare Larkin spotless and the victim complicit.
In this uncompromising independent horror-thriller, power doesn’t just prevail — it savors complete, sadistic triumph. No one walks away alive. The villainess wins — decisively and forever.

"Hi Ugine,
I’ve just finished watching the film — it turned out really great. I honestly didn’t expect it to be this long, which is great.
Both Mira and Maxim delivered strong performances, and the camera work was excellent. The script was executed very well overall, and you followed the details I outlined very closely, which I really appreciate.
Thank you for the solid work".
Review of scriptwriter
"A modern take on a giallo film in the classic Italian style of the 1970s.
A well-known actress from low-budget horror films is returning home from a film set located inside an independent art gallery. An artist approaches her, recognizing her from her movies, and offers her a substantial fee to star in his short horror film — to be shot right at his home, with just the two of them. The scene seems far too simple to her — merely playing the role of a victim being strangled — and she figures she can handle it easily and without any risk, especially after spotting the full amount in cash laid out on his table.
But when it comes time for payment, the artist tightens a zip tie around her neck for real!
She has walked straight into the lair of a maniacal fan.

Judi and Annabelle, professional hitwomen, are hired to eliminate Tanya, a major drug dealer.
They plan an ambush at her home: follow her inside, subdue her, expecting she may be armed.
Inside, they quickly search Tanya for weapons. She offers to pay them far more than their fee and opens a cabinet revealing a large stash of cash.
Distracted by the money, they miss Tanya grabbing a hidden gun. They agree to take it all and abandon the contract.
Tanya suddenly turns her weapon on them. In the shootout, Judi and Annabelle fire first, hitting Tanya and dropping her. Thinking she’s dead, they start bagging the cash.
But Judi then aims at Annabelle, demanding every cent. Annabelle tries to fight back, but Judi shoots her multiple times. Annabelle collapses and dies.
At that moment, Tanya—still alive—rises behind Judi and shoots her several times. Judi returns fire, critically wounding Tanya in the neck.
Both women, bleeding heavily, keep shooting. Tanya staggers over and fires again into fallen Judi; Judi manages one final shot to Tanya’s chest.
All three die. The money lies scattered among the bodies. No one survives.

DOOMED DRUG COURIER
«I finally got a chance to watch the custom video you recently completed for me, Doomed Drug Courier. In short, this film was absolutely outstanding! I didn't think you could improve on the last project you did for me (Torture Killer) but you managed to top that one. Considering how complex some of the effects were, your team did an amazing job bringing my script to life. Not only that, you managed to follow the story exactly as I wrote it. I don't think that has ever happened on any of my previous customs. The attention to detail here was incredible. It's clear the producer or director understood what I had in mind, and worked very hard to realize my vision. Wonderful.
Also, I will give special praise to Xena for her remarkable acting job. She was very convincing playing the victim in what must have been a challenging role, even when compared to your other more extreme productions. Xena truly has no inhibitions, and I would love to hire her again in the future. As for the villains... Billy and Max also were great in their roles -- very threatening and menacing characters both. And excellent work on the subtitles... they are easy to read and often transcribed word-for-word from my script.
So... overall I can't think of anything to criticize. I just love the final result».
Customer’s Review

A 40-minute full-length feature film!!
One of the most brutal, bloody, naked, and vicious exploitation films from our production company! We don't usually shoot this extreme, but we decided to go all-in on this custom project — a genuine, hardcore explo film in the style of late-1960s to mid-1980s Latin American "prison exploitation" cinema!
Long, savage, with outstanding acting performances, stunning lighting, makeup, practical effects, and locations! Zero use of artificial intelligence — pure handcrafted, individual VIP work, exactly how real exploitation should be!

A custom short thriller featuring Polina Wood.
A female detective has been kidnapped by members of the "Cupidons" gang — a criminal group that uses arrows as weapons in combat. To her horror, they have decided to employ their signature methods once again. She has already come to terms with her fate and is trying to show resilience even in this tragic situation.

45 MINUTES! 8 ACTRESSES! 5 SCENES! LOTS OF EPISODES!
«It was GREAT! The sound work and voice acting really was the best of all producers I have ordered from. And you really captured all the elements I asked for!»
STARRING: Sally, Ester, Demonica, Annabelle, Lera (New Actress), De Reves, Ksysha Zaichik. Marina Steffi

This is pure spy-sexploitation fever dream: beautiful secret agents, party vixens, cat burglars and leather-clad vigilantes all playing a deadly game of "who knocks who out first". Every scene drips with glossy lips, heaving cleavage, thigh-high boots, satin sheets and the unmistakable sweet stench of victory-by-rag.
Scene 1. A sleek industrial spy slips into a luxury hotel suite occupied by a stunning stewardess — one deep-soaked white cloth later and our heroine struts away in stolen uniform, ready to infiltrate the red-eye flight of the century.
Scene 2. Two party-hard club queens decide to test-drive an underground "euphoria rag" as foreplay. Giggles turn to gasps, hands tremble, eyes roll back — they keep passing the cloth until the room spins and both collapse in a tangle of limbs and lace. Harmless fun… or is it?
Scene 3. Glamorous jewel thieves crash a high-society charity gala. They chloro a diamond-dripping socialite mid-flirt… then turn on each other in a savage, sequin-shredding battle royale over the prize necklace. Only one walks (staggers) away with the loot.
Scene 4. The infamous Woman-Cat slinks toward a wall safe stuffed with classified microfilm. But a mystery beauty in head-to-toe black leather has been waiting. One perfectly-timed rear approach, one damp cloth, and the feline fatale melts into unconscious purrs across the desk.
Scene 5. Deep-cover hospital intrigue: a ruthless female operative chloroforms a pretty nurse to steal her scrubs and gain access to a VIP patient's records. Seconds from victory — another nurse catches her red-handed. The tables flip in seconds. Double chloroform KO in the supply closet. Sweet dreams, agent.

She came for justice. They came for revenge.
"Revenge of the Mafia" — a brutal R-rated crime thriller from Ugine T, blending Tarantino-style dialogue, Guy Ritchie energy, insane shootouts, rivers of blood, and pitch-black humor.
Three hardened gangsters discover a relentless female detective is closing in on them. They face two choices: disappear and lay low, or eliminate her for good. The crew leader insists on revenge — running would destroy their reputation, and only a high-profile execution will send the right message to the underworld. His more rational partner argues it's smarter and cheaper to vanish for a while, but the boss overrules him.
What follows is pure chaos: sharp, profanity-laced banter in cars and hideouts, ambushes gone sideways, explosive shootouts in parking garages, a violent home invasion, and a final bloodbath in a rain-soaked abandoned warehouse!

"He fought their war… they paid with a bullet."
STARRING: Max, Edward, Liana Zilotty. Alex, Ramis, Ester
CUSTOM MOVIE
REMBO VS SENATOR

It’s a raw, no-holds-barred R-rated B-movie gut-punch straight out of the 80s grindhouse playbook. Low-budget nitro, sweat-soaked jungles, cheap cigar smoke, betrayal that hits harder than a frag grenade, and enough muzzle flash to light up a drive-in screen. This is pure mercenary exploitation revenge tragedy — think The Wild Geese fucked The Osterman Weekend in a back alley, then shot them both in the head.
Meet Max — battle-scarred soldier of fortune, dog tags still warm from too many forgotten wars. A slick, corrupt U.S. Senator, Mr. Sullivan — all power suits, backroom deals, and crocodile tears — pulls Reaper into the dirtiest op of his life: infiltrate a remote compound, wipe out an entire rogue mercenary squad (ex-special forces gone bad), steal a briefcase stuffed with incriminating documents and cold hard cash that could topple empires... or buy a private island.
Reaper goes in hard — silenced MP5s, machete work in the rain, one-man army mode. Bodies drop like dominoes. He paints the walls red, leaves no witnesses, grabs the goods. Mission accomplished. Blood on his hands, victory in his veins. He limps back to the extraction point, ready for the fat paycheck and a cold beer.
But Sullivan has other plans.
One pull of a trigger. One bullet straight through the forehead. No loose ends. The senator's smile never fades as Reaper's body hits the dirt — betrayed by the very hand that fed him the contract. The documents burn. The money vanishes into offshore accounts. Another disposable hero erased.

CUSTOM MOVIE
CAST: Edward Petrov, Demonica, Max
"Revenge of the Boss 2" — the second brutal chapter in grindhouse-giallo revenge saga. This is pure 70s Italian giallo meets American exploitation drive-in sleaze: oversaturated reds and blues, neon-drenched motel rooms, black leather gloves, piano-wire garrote cutting deep, choking gasps, rolling eyes, protruding tongues, and a final cold stare from the boss lighting his victory cigarette.
The cocky young assistant to a ruthless mafia decides he can secretly meet the boss's girlfriend and walk away clean. Their affair starts in the office shadows, escalates to sweaty motel nights — passionate kisses, ripped lingerie, whispered lies "he'll never find out". But the boss knows everything. One phone call, and he unleashes his personal garrote assassin — a silent, professional strangler who turns execution into art…

Next Part of: «IT’S SHOWTIME!»
What is more important, work or family? Everyone has their own opinion. But there are also people like Tony, who combine family with work, in fact, the family is his work - and every member of his family is involved in the process of criminal business. But will it always be like this?
Lyalya Fox plays an exemplary housewife, a young mother, and a gentle, submissive wife who is very sweet to her husband. She values her family! But she convinced her husband that she can't just sit at home and wants to develop herself as a person, go to work, and promised to do everything—earn her own salary and take care of the house and household. But her husband is naive when he thinks she's a real estate agent. In reality, she's a terrifying executioner working for a terrifying criminal group, who is absolutely merciless to others in her interrogations and executions.

In this episode, Lyalya must deal with a father, son, and daughter, using torture with plastic bags, water, electricity, and machete executions!

The film is shot in the spirit of Eli Roth's "Hostel," but focuses heavily on aestheticized shots, leather goods, dark beauty, and plastic bags.